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Navigate film and TV landscape since 2008. Developed and produced films and series for cable networks and streaming platforms in CIS market (over 300 million potential viewers).
"24 hours a day, seven days a week. No job is too big, no fee is too large."
EDUCATION
Moscow State University of International Relations (MGIMO) 2003-2008
Faculty of Diplomacy and Foreign Affairs (bachelor).
Curriculum: International relations, economics, corporate and public law, foreign languages.
First National School of Television 2008-2009
Specialty: Editor-in-Chief of non-scripted formats.
FULL-TIME OFFICE WORK
Creative producer / Head of Development (scripted formats) in JUICE 2020 – 2022
JUICE (Moscow) - full-circle production company that works with digital, documentary, scripted and non-scripted formats, produces over 200 hours of content yearly and collaborates with largest entertainment networks in Russia (such as TNT and CTC) and streaming platforms (IVI, OKKO, Kinopoisk, Start).
- Created and led a scripted formats department and managed a team of 3 development managers. In 2 years oversaw the creation, development, sale and launch of 7 TV series (60 episodes overall) and one feature film for major streaming platforms and cable networks.
- Assembled and guided writer’s rooms, ensuring creative alignment and workflow efficiency: both for original projects and adaptations. Supervised all stages of project cycle: from concept to delivery, including production and post-production workflows. Was responsible for budgeting, communication between departments and problem solving both internally and on sets.
Notable projects: 3 limited series (12 episodes overall for Domashny cable network. Audience reach: 30 million, core audience: women 25-59.), sitcom (REN-TV cable network, 20 episodes, daily viewers: 25 million, core audience: all genders 4-45), mystical drama (OKKO streaming platform, 8 episodes, most watched show in November 2022), Superstore sitcom adaptation (TNT cable network, 12 episodes).
Development Executive at Sony Pictures Television International (Russia) 2012 – 2018
Sony Pictures Television International (SPTI CIS) – major international production company operating in the CIS market and launching many well-known titles. Based in Moscow under US main office supervision.
- Developed original scripted formats and adapted international series for Russian audiences. Curated and supervised writers, editors, and production teams across multiple projects.
- Coordinated workflows with US consultants and aligned local production practices with global standards.
- Oversaw pilot production and series rollouts, ensuring technical and creative quality.
- Identified new talent and built creative partnerships with producers, networks, and studios.
Notable projects: The Eighties (original comedy, CTC cable network, 6 seasons, 105 eps., numerous award-winning episodes and global recognition), Everybody Loves Raymond adaptation (sitcom, CTC cable network, 400+ eps, one of the most famous projects between Russian-speakers), The Good Wife adaptation (drama, NTV cable network, 20 eps.), Mile High adaptation (comedy, YU, 20 eps).
Editor at The Hollywood Reporter Russia 2011-2012
The Hollywood Reporter – newly-launched Russian edition of a world-famous entertainment magazine.
- Produced reviews, interviews, and editorial pieces, covering both Russian and international film industries.
- Attended press junkets, interviewed directors, producers, and actors, and translated articles for publication.
- Curated contractors (freelance critics, illustrators and photographers).
Editor-in-Chief at Cinemotion 2008-2011
Cinemotion - first Russian talent agency, film school and socialized newspaper (on- and offline) for screenwriters and film geeks. Peak audience (in 2011 – 20,000 views daily).
- Started as a media manager but jumped on the opportunity to create and lead a specialized media.
- Led editorial team and coordinated contributors.
- Managed community engagement and daily content contributing to brand awareness growth.
- Wrote and translated articles on screenwriting craft and filmmaking in general.
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“I love the smell of commerce in the morning.”
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